RHAPSODIES IN BLUE is the second installment of a large and ongoing project that explores America (its mythology, its possibility) through a series of poems that function as biography, history, and cultural commentary. Continuing where THE BLACKENED BLUES left off, this collection honors a variety of artistic icons, some well-known, others unjustly obscure, and seeks to capture something essential about their lives, bearing witness while paying homage.
America has always been a cauldron of inconsistencies; so often in our history we’ve ended up with brilliance, tolerance, and progress only after every other option has been exhausted. It seems instructive—and inspiring—to consider that, to take only one from many other examples, this country, which beats and stymies its best citizens, is capable of producing the geniuses who invented and perfected jazz and blues music. Despite every systemic disadvantage and all the obstacles placed in their paths, these musicians lived, played, persevered, and became immortal. Any country that can claim Miles Davis, Thelonious Monk, Duke Ellington, and Howlin’ Wolf is worth preserving, and celebrating.
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